{"id":214,"date":"2024-02-18T16:03:52","date_gmt":"2024-02-18T16:03:52","guid":{"rendered":"https:\/\/gildedgreen.com\/indigital\/?page_id=214"},"modified":"2026-02-26T15:33:36","modified_gmt":"2026-02-26T15:33:36","slug":"digital-remapping-and-place","status":"publish","type":"page","link":"https:\/\/gildedgreen.com\/indigital\/digital-remapping-and-place\/","title":{"rendered":"Digital (Counter)Mapping and Place"},"content":{"rendered":"\n<p>This module introduces a variety of concepts and artists related to Indigenous explorations of place, land, and mapping. We will encounter some artists who engage in counter-mapping &#8211; the practice of disrupting settler mapping system and the labels and assumptions they impose upon the land &#8211; using digital tools. We will also encounter artists who use digital tools to craft digital places.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Reading and Learning<\/h2>\n\n\n\n<p><strong>Choose one<\/strong> of the three readings below to explore. Each deals with a different approach to digital mapping or place-crafting.<\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"652\" height=\"652\" src=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-05-at-3.09.19\u202fPM.png\" alt=\"\" class=\"wp-image-295 size-full\" srcset=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-05-at-3.09.19\u202fPM.png 652w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-05-at-3.09.19\u202fPM-300x300.png 300w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-05-at-3.09.19\u202fPM-150x150.png 150w\" sizes=\"auto, (max-width: 652px) 100vw, 652px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/2201473X.2016.1186311\" target=\"_blank\" rel=\"noreferrer noopener\">Hunt, D., &amp; Stevenson, S.A. (2016). Decolonizing geographies of power: Indigenous digital counter-mapping practices on Turtle Island. <em>Settler Colonial Studies, 7<\/em>, 372 &#8211; 392.<\/a><\/p>\n\n\n\n<p>Dallas Hunt (Cree, and a member of Wapsewsipi Swan River First Nation) and Shaun A. Stevenson write about how settler digital mapping systems impose upon the land, and describe artistic counter-mapping projects designed to subvert those systems and center some Indigenous understandings of lands and places.<\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center\" style=\"grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/image-1024x1024.png\" alt=\"\" class=\"wp-image-294 size-full\" srcset=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/image-1024x1024.png 1024w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/image-300x300.png 300w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/image-150x150.png 150w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/image-768x768.png 768w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/image-850x850.png 850w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/image.png 1100w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/2201473X.2015.1090635\" target=\"_blank\" rel=\"noreferrer noopener\">Byrd, J. A. (2016). &#8216;Do they not have rational souls?&#8217;: Consolidation and sovereignty in digital new worlds. <em>Settler Colonial Studies, 6<\/em>(4), 423-437.<\/a><\/p>\n\n\n\n<p>Jodi Byrd (citizen of the Chickasaw Nation) writes about the popular 2010s video game <em>Dark Souls<\/em> and how the design of popular commercial video games often embodies a settler relationship to place\/land\/environment.<\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center\" style=\"grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"718\" height=\"718\" src=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-05-at-3.18.11\u202fPM.png\" alt=\"\" class=\"wp-image-296 size-full\" srcset=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-05-at-3.18.11\u202fPM.png 718w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-05-at-3.18.11\u202fPM-300x300.png 300w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-05-at-3.18.11\u202fPM-150x150.png 150w\" sizes=\"auto, (max-width: 718px) 100vw, 718px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"https:\/\/drive.google.com\/file\/d\/1CSuYeV_c3Fk0tSpB9SO2hu-bT4-189c9\/view?usp=sharing\" target=\"_blank\" rel=\"noreferrer noopener\">Loban, R. &amp; Apperley, T. (2019). Eurocentric values at play: Modding the colonial from the Indigenous perspective. In P. Penix-Tadsen (Ed.) <em>Video games and the global south<\/em> (pp. 87-100). ETC Press.<\/a><\/p>\n\n\n\n<p>Rhett Loban (Torres Strait Islander) and Thomas Apperley discuss their project to modify (or &#8220;mod&#8221;) a popular game in the &#8220;4X&#8221; (&#8220;EXplore, EXpand, EXploit and EXterminate&#8221;) genre of strategy games to meaningfully include Indigenous peoples where before there were primarily European colonial powers and empty lands to be colonized by them.<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Reflect After Reading<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>How might a digital land\/place, or a digital mapping of a physical land\/place, reinforce settler-colonial understandings of, and sentiments toward, land and place?<\/li>\n\n\n\n<li>How might a digital land\/place or a digital mapping resist, subvert, or operate outside of settler-colonial understandings of land and place?<\/li>\n\n\n\n<li>Choose and watch one of these video clips of a digital place from popular culture (a video game). Write down answers to the three questions posed about the game in the video.\n<ul class=\"wp-block-list\">\n<li><a href=\"https:\/\/drive.google.com\/file\/d\/1095G2XR-X44MvgofybfcFWlbEGlzSmBI\/view?usp=drive_link\" target=\"_blank\" rel=\"noreferrer noopener\">Animal Crossing: New Horizons<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/drive.google.com\/file\/d\/16xMVtQ4pZSzdwPJigcfQomzxInj8hFvz\/view?usp=drive_link\" target=\"_blank\" rel=\"noreferrer noopener\">Super Mario 3D World<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/drive.google.com\/file\/d\/1cyq9fvTRzp8OFlZlKFH0TGWQIGK5RJT0\/view?usp=drive_link\" target=\"_blank\" rel=\"noreferrer noopener\">Red Dead Redemption 2<\/a><\/li>\n\n\n\n<li><a href=\"https:\/\/drive.google.com\/file\/d\/1Kh5EQPBDJFObkXZJBCaqpEEOllyh3cAj\/view?usp=drive_link\" target=\"_blank\" rel=\"noreferrer noopener\">Shadow of the Tomb Raider<\/a><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Reflect on your responses to the three questions. What understandings or sentiments of place are materialized in these works? How might these understandings connect to the settler-colonial (U.S., Canada) or imperial (Japan) histories of the places where they were made?<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Exemplar Artists + Works<\/h2>\n\n\n\n<p>Explore these works by contemporary Indigenous artists\/thinkers\/makers who are engaging with concepts around digital land and place. <\/p>\n\n\n\n<p>As you explore, <strong>choose two works to research in greater depth<\/strong> which you may include as exemplars in your own lesson on place, land, and\/or mapping. Consider: <em>How do these digital maps, environments, and artworks resist the colonial norms present in the above popular culture exemplars?<\/em><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/www.susanblight.com\/omiimiikaa\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/static.wixstatic.com\/media\/1b68a2_14e65a139b954331b1df3441c1b3344a~mv2.jpg\/v1\/fill\/w_281,h_280,q_90\/1b68a2_14e65a139b954331b1df3441c1b3344a~mv2.webp%201x,%20https:\/\/static.wixstatic.com\/media\/1b68a2_14e65a139b954331b1df3441c1b3344a~mv2.jpg\/v1\/fill\/w_562,h_560,q_90\/1b68a2_14e65a139b954331b1df3441c1b3344a~mv2.webp%202x,%20https:\/\/static.wixstatic.com\/media\/1b68a2_14e65a139b954331b1df3441c1b3344a~mv2.jpg\/v1\/fill\/w_832,h_829,q_90\/1b68a2_14e65a139b954331b1df3441c1b3344a~mv2.webp%203x,%20https:\/\/static.wixstatic.com\/media\/1b68a2_14e65a139b954331b1df3441c1b3344a~mv2.jpg\/v1\/fill\/w_832,h_829,q_90\/1b68a2_14e65a139b954331b1df3441c1b3344a~mv2.webp%204x,%20https:\/\/static.wixstatic.com\/media\/1b68a2_14e65a139b954331b1df3441c1b3344a~mv2.jpg\/v1\/fill\/w_832,h_829,q_90\/1b68a2_14e65a139b954331b1df3441c1b3344a~mv2.webp%205x\" alt=\"\" style=\"width:247px;height:auto\"\/><\/a><figcaption class=\"wp-element-caption\"><em><strong><a href=\"https:\/\/www.susanblight.com\/omiimiikaa\" target=\"_blank\" rel=\"noreferrer noopener\">Omiimiikaa<\/a><\/strong><\/em><br>Susan Blight (Anishinaabe, enrolled member Couchiching First Nation)<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/www.cafka.org\/cafka18\/susan-blight-guided-streams\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/static.wixstatic.com\/media\/1b68a2_3cfdf1ae822b415fbbd12ebf34cd1815~mv2_d_3600_1421_s_2.jpg\/v1\/fill\/w_184,h_183,q_90\/1b68a2_3cfdf1ae822b415fbbd12ebf34cd1815~mv2_d_3600_1421_s_2.webp%201x,%20https:\/\/static.wixstatic.com\/media\/1b68a2_3cfdf1ae822b415fbbd12ebf34cd1815~mv2_d_3600_1421_s_2.jpg\/v1\/fill\/w_368,h_366,q_90\/1b68a2_3cfdf1ae822b415fbbd12ebf34cd1815~mv2_d_3600_1421_s_2.webp%202x,%20https:\/\/static.wixstatic.com\/media\/1b68a2_3cfdf1ae822b415fbbd12ebf34cd1815~mv2_d_3600_1421_s_2.jpg\/v1\/fill\/w_552,h_549,q_90\/1b68a2_3cfdf1ae822b415fbbd12ebf34cd1815~mv2_d_3600_1421_s_2.webp%203x,%20https:\/\/static.wixstatic.com\/media\/1b68a2_3cfdf1ae822b415fbbd12ebf34cd1815~mv2_d_3600_1421_s_2.jpg\/v1\/fill\/w_736,h_732,q_90\/1b68a2_3cfdf1ae822b415fbbd12ebf34cd1815~mv2_d_3600_1421_s_2.webp%204x,%20https:\/\/static.wixstatic.com\/media\/1b68a2_3cfdf1ae822b415fbbd12ebf34cd1815~mv2_d_3600_1421_s_2.jpg\/v1\/fill\/w_920,h_915,q_90\/1b68a2_3cfdf1ae822b415fbbd12ebf34cd1815~mv2_d_3600_1421_s_2.webp%205x\" alt=\"\" style=\"width:247px;height:auto\"\/><\/a><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/www.cafka.org\/cafka18\/susan-blight-guided-streams\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Guided by Streams<\/strong><\/em><br><\/a><br>Susan Blight (Anishanaabe, enrolled member Couchiching First Nation)<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/www.cbc.ca\/news\/canada\/sudbury\/living-languages-susan-blight-ogimaa-mikana-public-art-project-street-signs-billboards-1.5485914\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/64.media.tumblr.com\/5e45c4ad630d51d5878ee4cb2c07db82\/tumblr_oa7fd5tdTa1s4swzao1_1280.jpg\" alt=\"\" style=\"aspect-ratio:1;object-fit:cover;width:247px\"\/><\/a><figcaption class=\"wp-element-caption\"><strong><em><a href=\"https:\/\/www.cbc.ca\/news\/canada\/sudbury\/living-languages-susan-blight-ogimaa-mikana-public-art-project-street-signs-billboards-1.5485914\" target=\"_blank\" rel=\"noreferrer noopener\">Ogimaa Mikana<\/a><br><\/em><\/strong>Susan Blight (Anishanaabe, enrolled member Couchiching First Nation)<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/www.benesiinaabandan.com\/#\/new-landia-monuments\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/51cb1447e4b0898df4c045eb\/1502043098682-8N5HARLNEAGRM5D045S8\/61e_web.jpg?format=1500w\" alt=\"\" style=\"aspect-ratio:1;object-fit:cover;width:247px;height:auto\"\/><\/a><figcaption class=\"wp-element-caption\"><em><strong><a href=\"https:\/\/www.benesiinaabandan.com\/#\/new-landia-monuments\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Monumentalisms<\/em><\/a><\/strong><\/em><br>Scott Benesiinaabandan (Anishinaabe, enrolled member of Obishkkokaang\/Lac Seul First Nation) <\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/www.benesiinaabandan.com\/#\/historical-landscapes\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/51cb1447e4b0898df4c045eb\/1372357377419-LO67SAV0S5KNEZ43X91P\/IMG_2877e_resize.jpg?format=1500w\" alt=\"\" style=\"aspect-ratio:1;object-fit:cover;width:247px;height:auto\"\/><\/a><figcaption class=\"wp-element-caption\"><strong><em><a href=\"https:\/\/www.benesiinaabandan.com\/#\/historical-landscapes\/\" target=\"_blank\" rel=\"noreferrer noopener\">Historical Landscapes<\/a><br><\/em><\/strong>Scott Benesiinaabandan (Anishinaabe, enrolled member of Obishkkokaang\/Lac Seul First Nation) <\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/marlenamyl.es\/project\/dakota-land-map\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/i0.wp.com\/marlenamyl.es\/wp-content\/uploads\/2019\/10\/WEBDakotamapMPLSSTP.jpg?w=2000&amp;ssl=1\" alt=\"\" style=\"aspect-ratio:1;object-fit:cover;width:247px;height:auto\"\/><\/a><figcaption class=\"wp-element-caption\"><strong><em><a href=\"https:\/\/marlenamyl.es\/project\/dakota-land-map\/\" target=\"_blank\" rel=\"noreferrer noopener\">Dakota Land Map<\/a><br><\/em><\/strong>Marlena Myles (citizen, Spirit Lake Dakota tribe) <\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2025\/10\/longisland-1024x1024.jpg\" alt=\"\" class=\"wp-image-658\" style=\"aspect-ratio:1;object-fit:cover;width:247px;height:auto\" srcset=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2025\/10\/longisland-1024x1024.jpg 1024w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2025\/10\/longisland-300x300.jpg 300w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2025\/10\/longisland-150x150.jpg 150w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2025\/10\/longisland-768x768.jpg 768w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2025\/10\/longisland-850x850.jpg 850w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2025\/10\/longisland.jpg 1390w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\"><strong><em><a href=\"https:\/\/nativelongisland.com\/\" target=\"_blank\" rel=\"noreferrer noopener\">On This Site &#8211; Native Long Island<\/a><\/em><\/strong><br>Jeremy Dennis (enrolled Tribal Member, Shinnecock Indian Nation)<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/www.nvidia.com\/en-us\/research\/ai-art-gallery\/artists\/amelia-winger-bearskin\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/www.columbusmuseum.org\/assets\/3048\/627-i_would_like_to_be_midnight___i_would_like_to_be_sky-O2l.png\" alt=\"\" style=\"aspect-ratio:1;object-fit:cover;width:247px;height:auto\"\/><\/a><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/www.nvidia.com\/en-us\/research\/ai-art-gallery\/artists\/amelia-winger-bearskin\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>I WOULD LIKE TO BE MIDNIGHT \/ I WOULD LIKE TO BE SKY<\/em><\/strong><\/a><em><strong><br><\/strong><\/em>Amelia Winger Bearskin (enrolled member, Seneca-Cayuga Nation)<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><a href=\"https:\/\/web.archive.org\/web\/20210617233922\/https:\/\/www.waylonwilson.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img loading=\"lazy\" decoding=\"async\" width=\"814\" height=\"814\" src=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-05-at-4.12.32\u202fPM.png\" alt=\"\" class=\"wp-image-304\" style=\"aspect-ratio:1;object-fit:cover;width:247px;height:auto\" srcset=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-05-at-4.12.32\u202fPM.png 814w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-05-at-4.12.32\u202fPM-300x300.png 300w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-05-at-4.12.32\u202fPM-150x150.png 150w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/03\/Screenshot-2024-03-05-at-4.12.32\u202fPM-768x768.png 768w\" sizes=\"auto, (max-width: 814px) 100vw, 814px\" \/><\/a><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/web.archive.org\/web\/20210617233922\/https:\/\/www.waylonwilson.com\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>\u010c\u00e1\u00b7\u00b7hu!<\/strong><\/em><\/a><strong><em><br><\/em><\/strong>Waylon Wilson (citizen, Tuscarora Nation, Deer clan)<br><a href=\"https:\/\/spectrum.library.concordia.ca\/id\/eprint\/987864\/1\/Wilson_MDes_S2021.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">(More information in Wilson&#8217;s thesis paper on this project)<\/a><\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/sarahbiscarradilley.com\/d992jfncjouiwo2ksmsu75xxm52t0v\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/images.squarespace-cdn.com\/content\/v1\/55c4fdcbe4b0f26f6932c8e2\/1666902602027-FY4DVFZCK4HKKE4MEO1E\/image-asset.jpeg?format=2500w\" alt=\"\" style=\"aspect-ratio:1;object-fit:cover;width:247px;height:auto\"\/><\/a><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/sarahbiscarradilley.com\/d992jfncjouiwo2ksmsu75xxm52t0v\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Yellowstone<\/strong><\/em><\/a><strong><em><br><\/em><\/strong>Sarah Biscarra Dilley (Northern Chumash Tribe)<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"578\" src=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2026\/02\/mhm.jpg\" alt=\"\" class=\"wp-image-672\" style=\"aspect-ratio:1;object-fit:cover;width:247px\" srcset=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2026\/02\/mhm.jpg 800w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2026\/02\/mhm-300x217.jpg 300w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2026\/02\/mhm-768x555.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/migrations.lib.miamioh.edu\/s\/the-forced-removal-of-the-Myaamia\/page\/myaamionki-myaamia-homelands-map\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Myaamionki Myaamia Homelands\u2019 Map<\/em><\/strong><\/a><strong><em><br><\/em><\/strong>Joshua Sutterfield (Miami Tribe of Oklahoma) and Brett Governanti<\/figcaption><\/figure>\n<\/div>\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Lesson Development<\/h2>\n\n\n\n<p>Having explored the above concepts and materials, now it&#8217;s your turn to plan an arts learning experience.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The targeted age range, materials, and art activities are yours to choose. <\/li>\n\n\n\n<li>You are <em>required<\/em> to meaningfully include at least two of the above artists (<a href=\"https:\/\/gildedgreen.com\/indigital\/\" target=\"_blank\" rel=\"noreferrer noopener\">feel free to explore the site for more!<\/a>)<\/li>\n\n\n\n<li>You are <em>encouraged<\/em> to develop a lesson that involves some sort of digital making, but a meaningful physical making experience rooted in ideas from these digital artists is also a viable approach!<\/li>\n\n\n\n<li>Please use this <a href=\"https:\/\/docs.google.com\/document\/d\/1RoAPx32dWewlWhAHDb1UgXRCBtopNOfr\/edit?usp=sharing&amp;ouid=105657461687600134907&amp;rtpof=true&amp;sd=true\" target=\"_blank\" rel=\"noreferrer noopener\">lesson plan template<\/a> to structure your planning<\/li>\n<\/ul>\n\n\n\n<p><strong>Consider: <\/strong>How might students design digital mappings or places that resist, subvert, or operate outside of settler-colonial understandings of land and place?<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>How does the positionality (settler or Indigenous) of the student artist impact their approach to this problem?<\/li>\n\n\n\n<li>How does the positionality of you as teacher (settler or Indigenous) impact your approach to teaching this concept?<\/li>\n<\/ol>\n\n\n\n<p><em><sub>This page last updated on April 24, 2024.<\/sub><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>This module introduces a variety of concepts and artists related to Indigenous explorations of place, land, and mapping. We will encounter some artists who engage in counter-mapping &#8211; the practice of disrupting settler mapping system and the labels and assumptions they impose upon the land &#8211; using digital tools. We will also encounter artists who&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-214","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/pages\/214","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/comments?post=214"}],"version-history":[{"count":35,"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/pages\/214\/revisions"}],"predecessor-version":[{"id":673,"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/pages\/214\/revisions\/673"}],"wp:attachment":[{"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/media?parent=214"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}