{"id":220,"date":"2024-02-18T16:05:30","date_gmt":"2024-02-18T16:05:30","guid":{"rendered":"https:\/\/gildedgreen.com\/indigital\/?page_id=220"},"modified":"2025-09-21T15:54:02","modified_gmt":"2025-09-21T15:54:02","slug":"identity-and-authenticity","status":"publish","type":"page","link":"https:\/\/gildedgreen.com\/indigital\/identity-and-authenticity\/","title":{"rendered":"Identity and Authenticity"},"content":{"rendered":"\n<p>Many Indigenous communities, nations, and individuals navigate questions of identity and authenticity in diverse ways. Centuries of removal from homelands (<a href=\"https:\/\/americanindian.si.edu\/nk360\/removal#titlePage\" target=\"_blank\" rel=\"noreferrer noopener\">National Museum of the American Indian, 2016<\/a>), theft of children through boarding school and settler adoption programs (<a href=\"https:\/\/crooked.com\/podcast\/1-solomons-sword\/\" data-type=\"link\" data-id=\"https:\/\/crooked.com\/podcast\/1-solomons-sword\/\" target=\"_blank\" rel=\"noreferrer noopener\">Nagle, 2021<\/a>), and intentional elimination of cultural lifeways (<a href=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/14623520601056240\" data-type=\"link\" data-id=\"https:\/\/www.tandfonline.com\/doi\/full\/10.1080\/14623520601056240\" target=\"_blank\" rel=\"noreferrer noopener\">Wolfe, 2006<\/a>) alienated many Indigenous peoples from communities and practices. Consequently, many Indigenous communities and individuals are engaged in an active process of reconnecting with and revitalizing Indigenous cultural identities. The Myaamia people, for example, are actively engaged in <a href=\"https:\/\/miamioh.edu\/news\/2022\/10\/effort-to-recover-indigenous-language-also-revitalizes-culture,-history-and-identity.html\" target=\"_blank\" rel=\"noreferrer noopener\">cultural and linguistic revitalization work<\/a> and develop <a href=\"https:\/\/aacimotaatiiyankwi.org\/2023\/12\/12\/2023-summer-program-recap-and-outcomes\/\" target=\"_blank\" rel=\"noreferrer noopener\">programming to help young Myaamia citizens foster Myaamia identity<\/a>.<\/p>\n\n\n\n<p>Indigenous people and communities must also contend with settler appropriation of Indigenous identity, or &#8216;<a href=\"https:\/\/www.jacquelinekeeler.net\/\" target=\"_blank\" rel=\"noreferrer noopener\">Pretendianism<\/a>.&#8217; Settlers may falsely adopt Indigenous identity because doing so helps them professionally as artists or academics (taking up space from Indigenous artists and academics), or because it alleviates feelings of settler guilt (<a href=\"https:\/\/jps.library.utoronto.ca\/index.php\/des\/article\/view\/18630\" data-type=\"link\" data-id=\"https:\/\/jps.library.utoronto.ca\/index.php\/des\/article\/view\/18630\" target=\"_blank\" rel=\"noreferrer noopener\">Tuck &amp; Yang, 2012<\/a>). Some American pretendians may unknowingly falsely claim Indigenous identity, based on, for example, <a href=\"https:\/\/www.bia.gov\/guide\/tracing-american-indian-and-alaska-native-aian-ancestry#:~:text=Blood%20tests%20and%20DNA%20tests%20will%20not%20help%20an%20individual%20document%20his%20or%20her%20descent%20from%20a%20specific%20Federally%20recognized%20tribe%20or%20tribal%20community.\" target=\"_blank\" rel=\"noreferrer noopener\">a blood or DNA test<\/a>, if they are ignorant of the fact that each of the 574 federally-recognized tribal nations have their own <em>specific <\/em>constitutional criteria for citizenship and criteria for community membership (<a href=\"https:\/\/archive.ncai.org\/tribalnations\/introduction\/Indian_Country_101_Updated_February_2019.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">National Congress of American Indians, 2020<\/a>). <strong>However, regardless of whether the ethnic fraud is committed knowingly or not, the harm that results is real<\/strong> &#8211; for example, resources and supports can be diverted from Indigenous people to non-Indigenous people, and Indigenous cultural practices may be appropriated and misrepresented by non-Indigenous people.<\/p>\n\n\n\n<h2 class=\"wp-block-heading\">Reading, Listening, Watching, and Learning<\/h2>\n\n\n\n<p>Explore the podcast, video, and readings below to encounter some different perspectives on Indigenous identity and authenticity. Read\/watch\/listen to <strong>at least two<\/strong>.<\/p>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"848\" height=\"848\" src=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2025\/06\/crash.png\" alt=\"\" class=\"wp-image-607 size-full\" srcset=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2025\/06\/crash.png 848w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2025\/06\/crash-300x300.png 300w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2025\/06\/crash-150x150.png 150w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2025\/06\/crash-768x768.png 768w\" sizes=\"auto, (max-width: 848px) 100vw, 848px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=UxmD-Lone7A\" target=\"_blank\" rel=\"noreferrer noopener\">CrashCourse. (2025, June 3). <em>What makes someone Native American?: Ep 4 of crash course Native American history <\/em>[ video ]. YouTube.<\/a><\/p>\n\n\n\n<p>In this short video, host Che Jim (enrolled member, Navajo Nation) summarizes common stereotypes about &#8220;authentic&#8221; Indigenous identity, and how Indigenous identity has been defined through history and today by both Indigenous and settler individuals and governments.<\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"764\" height=\"627\" src=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/image-1.png\" alt=\"\" class=\"wp-image-403 size-full\" srcset=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/image-1.png 764w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/image-1-300x246.png 300w\" sizes=\"auto, (max-width: 764px) 100vw, 764px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=dkvfmqkUouw\" target=\"_blank\" rel=\"noreferrer noopener\">PBS Voices. (2023, November 15). <em>What does \u201cauthentically\u201d Indigenous look like? <\/em>[ video ]. YouTube.<\/a><\/p>\n\n\n\n<p>In this short video produced by Dr. Lee Francis IV (enrolled citizen, Laguna Pueblo), correspondent Cheyenne Bearfoot (member, Chiricahua Apache Nation) explores how cultural images of what is &#8220;authentically&#8221; or &#8220;traditionally&#8221; Indigenous can often be settler fictions, or rooted in settler conceptions of Indigenous peoples as locked in the past. She also interviews contemporary designers who are developing conceptions of contemporary Indigenous identities.<\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile\" style=\"grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"416\" height=\"431\" src=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/image.png\" alt=\"\" class=\"wp-image-395 size-full\" srcset=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/image.png 416w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/image-290x300.png 290w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/image-300x311.png 300w\" sizes=\"auto, (max-width: 416px) 100vw, 416px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"https:\/\/www.npr.org\/transcripts\/1074258028\" target=\"_blank\" rel=\"noreferrer noopener\">Yellowhorse Kesler, S., Carrillo, S., Drummond, S., &amp; Donnella, L. (Hosts). (2022, January 26). Playing pretendian [Audio podcast episode]. In <em>Code Switch<\/em>. NPR.<\/a><\/p>\n\n\n\n<p>In this episode of the <em>Code Switch<\/em> podcast, the hosts explore multiple instances of pretendianism, from prominent public figures to folks quietly lying on college applications, and discuss the consequences. They also discuss some of the various factors that may contribute to Indigenous identity for different communities.<\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center\" style=\"grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"278\" height=\"271\" src=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/image-2.png\" alt=\"\" class=\"wp-image-405 size-full\"\/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"https:\/\/aacimotaatiiyankwi.org\/2021\/05\/18\/naming-as-a-source-of-resiliency\/\" target=\"_blank\" rel=\"noreferrer noopener\">Ironstrack, G. &amp; Shea, H. (2021). Naming as a Source of Resiliency. <em>Aacimotaatiiyankwi<\/em>.<\/a><\/p>\n\n\n\n<p>In this piece, Myaamia citizens <em>Kii\u0161ikohkwa<\/em>&nbsp;\u2018Haley Shea\u2019 and <em>Meemeeh\u0161hkia<\/em> \u2018George Ironstrack\u2019 discuss their personal narratives in coming to their Myaamia names, and how their Myaamia senses of identity developed in relation to the settler and Myaamia cultures and communities they lived and live in.<\/p>\n<\/div><\/div>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n\n\n<div class=\"wp-block-media-text is-stacked-on-mobile is-vertically-aligned-center\" style=\"grid-template-columns:15% auto\"><figure class=\"wp-block-media-text__media\"><img loading=\"lazy\" decoding=\"async\" width=\"600\" height=\"600\" src=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/amber-starks-melanin-mvskoke.webp\" alt=\"\" class=\"wp-image-402 size-full\" srcset=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/amber-starks-melanin-mvskoke.webp 600w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/amber-starks-melanin-mvskoke-300x300.webp 300w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/amber-starks-melanin-mvskoke-150x150.webp 150w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><\/figure><div class=\"wp-block-media-text__content\">\n<p><a href=\"https:\/\/americanindian.si.edu\/ancestors-know\/reflections\/black-native-identity-and-futurity\/\" target=\"_blank\" rel=\"noreferrer noopener\">Starks, A. (2022, Jun 17). <em>Black-Native identity and futurity<\/em>. National Museum of the American Indian. <\/a><\/p>\n\n\n\n<p>In this short piece, Amber Starks (enrolled citizen of the Muscogee (Creek) Nation), discusses the historic roots of Black-Native identity, and how these roots inform contemporary realities of Black citizens of tribal nations.<\/p>\n<\/div><\/div>\n\n\n\n<div style=\"height:30px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Reflect After Reading<\/h2>\n\n\n\n<ul class=\"wp-block-list\">\n<li>After engaging with the above readings\/media, what are some of the internal and external challenges some Indigenous folks navigate with respect to forming, finding, accepting, and\/or living an identity that connects to historic and contemporary Indigenous cultures?\n<ul class=\"wp-block-list\">\n<li>What kinds of challenges (internal and external) have you encountered in developing an identity in relationship to your heritage, culture, community, and\/or upbringing?<br><br><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Please take a look at <a href=\"https:\/\/www.stopfakes.gov\/servlet\/servlet.FileDownload?file=015t0000000SZTH\" target=\"_blank\" rel=\"noreferrer noopener\">this poster<\/a>, developed by the United States Department of the Interior asking people to report cases of artistic pretendian fraud to the Indian Arts and Crafts Board (part of the US. Dept. of the Interior). Then, please watch <a href=\"https:\/\/www.elisaharkins.org\/portfolio\/fake-part-2\/\" target=\"_blank\" rel=\"noreferrer noopener\">this 10-minute video artwork, &#8220;Fake: Part 2,&#8221; <\/a>by artist Elisa Harkins (enrolled member, Muscogee Nation) in which she calls the IACB to turn herself in for creating &#8216;fake&#8217; Indigenous art when making <a href=\"https:\/\/www.elisaharkins.org\/portfolio\/fake-part-1\/\" target=\"_blank\" rel=\"noreferrer noopener\">this performance piece<\/a>.\n<ul class=\"wp-block-list\">\n<li>How do the &#8216;crimes&#8217; Harkins confesses to highlight the relationship between the complexities of Indigenous identity-formation in North America and bureaucratic structure of U.S. Government systems (that police the authenticity of Indigenous artworks to protect against the legitimate cultural and material harm of ethnic fraud)?<br><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><a href=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/identity-wheel.pdf\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"1024\" src=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/image-3-1024x1024.png\" alt=\"\" class=\"wp-image-461\" style=\"width:401px;height:auto\" srcset=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/image-3-1024x1024.png 1024w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/image-3-300x300.png 300w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/image-3-150x150.png 150w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/image-3-768x769.png 768w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/image-3-850x851.png 850w, https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/image-3.png 1380w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/a><\/figure>\n<\/div>\n\n\n<ul class=\"wp-block-list\">\n<li>A common (if imperfect) activity for exploring Identity in educational contexts is to fill out an &#8220;identity wheel&#8221; describing one&#8217;s relationship to different types of communities, groups, places, and conditions. ( <a href=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/Mapping-Identity.pdf\" data-type=\"link\" data-id=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/Mapping-Identity.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">Congdon, Stewart, and White explored using this in art ed in 2002.<\/a> )\n<ul class=\"wp-block-list\">\n<li>Take a few minutes to <a href=\"https:\/\/gildedgreen.com\/indigital\/wp-content\/uploads\/2024\/04\/identity-wheel.pdf\" target=\"_blank\" rel=\"noreferrer noopener\">complete this Identity Wheel<\/a> developed in 2021 by the United Way of Southeastern Michigan. The sheet includes example responses for each category, if you are unsure of any labels.\n<ul class=\"wp-block-list\">\n<li><em><sub>Note: The example responses list &#8216;Native American&#8217; as a response for &#8216;Race&#8217; and &#8216;Mohawk&#8217; as a response for &#8216;Ethnicity, Heritage + Culture&#8217; but not all Indigenous respondents would use these categories in this way. It is worth noting that classifying Indigenous people as a race and not a political status has been used as a <a href=\"https:\/\/www.npr.org\/transcripts\/1175041677\" data-type=\"link\" data-id=\"https:\/\/www.npr.org\/transcripts\/1175041677\" target=\"_blank\" rel=\"noreferrer noopener\">strategy to erode Indigenous sovereignty<\/a>.<\/sub><\/em><br><br><\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Were any of the segments difficult for you to complete? What factors impact the way you answer this question? (For example, <a href=\"https:\/\/www.learningforjustice.org\/magazine\/summer-2016\/why-talk-about-whiteness\" target=\"_blank\" rel=\"noreferrer noopener\">it is not uncommon for white settler Americans to have difficulty identifying an ethnic or cultural identity<\/a>. What factors may impact this phenomenon?)<br><br><\/li>\n\n\n\n<li>If you live in a colonized nation such as the United States, how do different aspects of your identity relate to the colonial history, and present dominant culture, of that nation? How are different aspects of your identity benefitted or harmed by that present dominant culture?\n<ul class=\"wp-block-list\">\n<li><sub>For example, the author of this resource has ancestors who arrived on this land on the Mayflower as part of the earliest Anglophone colonial project on this land. He also has ancestors who arrived in the early 20th century from Central Europe who were initially discriminated against as Slavic Catholic immigrants but who were eventually embraced by dominant white settler culture. As a contemporary white American he continues to hold a place of privilege in the dominant white settler culture.<\/sub><br><br><\/li>\n<\/ul>\n<\/li>\n<\/ul>\n<\/li>\n\n\n\n<li>Did your upbringing (in a settler, Indigenous, or blended context) cultivate a particular image of an &#8216;Indigenous Individual&#8217;? If so, what cultural norms or experiences informed that image? How does that image compare to some of the discussions of identity and authenticity in the readings\/media above?<\/li>\n<\/ul>\n\n\n\n<h2 class=\"wp-block-heading\">Exemplar Artists + Works<\/h2>\n\n\n\n<p>Explore these works by contemporary Indigenous artists\/thinkers\/makers who are engaging with concepts around Indigenous futurity. <\/p>\n\n\n\n<p>As you explore, <strong>choose two works to research in greater depth<\/strong> which you may include as exemplars in your own lesson on identity. Consider: <em>How do these artworks question settler assumptions about Indigenous identity? How do these different expressions of identity by different Indigenous artists use different ideas, strategies, and terms for describing identity?<\/em><\/p>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/www.sadieredwing.com\/copy-of-new-page-1\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/static.wixstatic.com\/media\/a96fdd_5f82dbb36be84d6e8ae07f9656d8f73c~mv2.gif\" alt=\"\" style=\"aspect-ratio:1;object-fit:cover;width:247px;height:auto\"\/><\/a><figcaption class=\"wp-element-caption\"><strong><a href=\"https:\/\/www.sadieredwing.com\/copy-of-new-page-1\" target=\"_blank\" rel=\"noreferrer noopener\"><em>Visual Essay<\/em><\/a><br><\/strong>Sadie Red Wing<br>(enrolled member, Spirit Lake Sioux Tribe)<\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/www.elisaharkins.org\/portfolio\/fake-part-1\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/www.elisaharkins.org\/wp-content\/uploads\/2017\/06\/feat_img1.jpg\" alt=\"\" style=\"aspect-ratio:1;object-fit:cover;width:247px;height:auto\"\/><\/a><figcaption class=\"wp-element-caption\"><strong><em><a href=\"https:\/\/www.elisaharkins.org\/portfolio\/fake-part-1\/\" target=\"_blank\" rel=\"noreferrer noopener\">Fake: Part 1<\/a><br><\/em><\/strong>Elisa Harkins (enrolled member, Muscogee (Creek) Nation)<br><br><\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/www.elisaharkins.org\/portfolio\/fake-part-2\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/www.elisaharkins.org\/wp-content\/uploads\/2017\/06\/fake2-600x480.jpg\" alt=\"\" style=\"aspect-ratio:1;object-fit:cover;width:247px;height:auto\"\/><\/a><figcaption class=\"wp-element-caption\"><strong><em><a href=\"https:\/\/www.elisaharkins.org\/portfolio\/fake-part-2\/\" target=\"_blank\" rel=\"noreferrer noopener\">Fake: Part 2<\/a><br><\/em><\/strong>Elisa Harkins (enrolled member, Muscogee (Creek) Nation)<br><br><\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/www.rainmakerart.co.uk\/debra-yepa-pappan\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/www.rainmakerart.co.uk\/wp-content\/uploads\/2017\/01\/DYP14.png\" alt=\"\" style=\"aspect-ratio:1;object-fit:cover;width:247px;height:auto\"\/><\/a><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/www.rainmakerart.co.uk\/debra-yepa-pappan\/\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>Live Long and Prosper (Spock was a Half-Breed)<\/strong><\/em><\/a><strong><em><br><\/em><\/strong>Debra Yepa-Pappan (Enrolled member, Jemez Pueblo) <br><br><br><\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/www.centerfornativefutures.org\/11882364-expo-chicago-2022#:~:text=Artist%20Statement-,En%20Route%20and%20There%20and%20Back%20Again,-By%20nature%2C%20Native\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/www.rainmakerart.co.uk\/wp-content\/uploads\/2017\/01\/DYP7.jpg\" alt=\"\" style=\"aspect-ratio:1;object-fit:cover;width:247px;height:auto\"\/><\/a><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/www.centerfornativefutures.org\/11882364-expo-chicago-2022#:~:text=Artist%20Statement-,En%20Route%20and%20There%20and%20Back%20Again,-By%20nature%2C%20Native\" target=\"_blank\" rel=\"noreferrer noopener\"><em><strong>There and Back Again<\/strong><\/em><\/a><strong><em><br><\/em><\/strong>Debra Yepa-Pappan (Enrolled member, Jemez Pueblo) <br><br><br><\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/www.rainmakerart.co.uk\/debra-yepa-pappan\/\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"https:\/\/www.rainmakerart.co.uk\/wp-content\/uploads\/2017\/01\/DYP9.jpg\" alt=\"\" style=\"aspect-ratio:1;object-fit:cover;width:247px;height:auto\"\/><\/a><figcaption class=\"wp-element-caption\"><a href=\"https:\/\/www.rainmakerart.co.uk\/debra-yepa-pappan\/\" target=\"_blank\" rel=\"noreferrer noopener\"><strong><em>Cranes<\/em><\/strong><\/a><strong><br><\/strong>Debra Yepa-Pappan (Enrolled member, Jemez Pueblo) <br><br><br><\/figcaption><\/figure>\n<\/div>\n\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><a href=\"https:\/\/www.youtube.com\/watch?v=66MAwVwxbYc\" target=\"_blank\" rel=\"noreferrer noopener\"><img decoding=\"async\" src=\"data:image\/jpeg;base64,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\" alt=\"\" style=\"aspect-ratio:1;object-fit:cover;width:247px\"\/><\/a><figcaption class=\"wp-element-caption\"><em><a href=\"https:\/\/www.youtube.com\/watch?v=66MAwVwxbYc&amp;ab_channel=CaseyKoyczan\" target=\"_blank\" rel=\"noreferrer noopener\"><strong>E\u0142exi\u00ect\u01eb ; Ehts\u2019\u01eb\u01eb\u0300 \/ Connected ; Apart From Each Other<\/strong><\/a><br><\/em>Casey Koyczan (T\u0142\u0131\u0328ch\u01eb citizen, Dene)<\/figcaption><\/figure>\n<\/div>\n\n\n<p><\/p>\n\n\n\n<div style=\"height:50px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n\n\n\n<h2 class=\"wp-block-heading\">Lesson Development<\/h2>\n\n\n\n<p>Having explored the above concepts and materials, now it&#8217;s your turn to plan an arts learning experience.<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>The targeted age range, materials, and art activities are yours to choose. <\/li>\n\n\n\n<li>You are <em>required<\/em> to meaningfully include at least two of the above artists (<a href=\"https:\/\/gildedgreen.com\/indigital\/\" target=\"_blank\" rel=\"noreferrer noopener\">feel free to explore the site for more!<\/a>)<\/li>\n\n\n\n<li>You are <em>encouraged<\/em> to develop a lesson that involves some sort of digital making, but a meaningful physical making experience rooted in ideas from these digital artists is also a viable approach!<\/li>\n\n\n\n<li>Please use this <a href=\"https:\/\/docs.google.com\/document\/d\/1RoAPx32dWewlWhAHDb1UgXRCBtopNOfr\/edit?usp=sharing&amp;ouid=105657461687600134907&amp;rtpof=true&amp;sd=true\" target=\"_blank\" rel=\"noreferrer noopener\">lesson plan template<\/a> to structure your planning<\/li>\n<\/ul>\n\n\n\n<p><strong>Consider: <\/strong>How might students design digital mappings or places that resist, subvert, or operate outside of settler-colonial understandings of land and place?<\/p>\n\n\n\n<ol class=\"wp-block-list\">\n<li>How does the positionality (settler or Indigenous) of the student artist impact their approach to this problem?<\/li>\n\n\n\n<li>How does the positionality of you as teacher (settler or Indigenous) impact your approach to teaching this concept?<\/li>\n<\/ol>\n\n\n\n<p><em><sub>This page last updated on April 23, 2024.<\/sub><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Many Indigenous communities, nations, and individuals navigate questions of identity and authenticity in diverse ways. Centuries of removal from homelands (National Museum of the American Indian, 2016), theft of children through boarding school and settler adoption programs (Nagle, 2021), and intentional elimination of cultural lifeways (Wolfe, 2006) alienated many Indigenous peoples from communities and practices&#8230;.<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-220","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/pages\/220","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/comments?post=220"}],"version-history":[{"count":44,"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/pages\/220\/revisions"}],"predecessor-version":[{"id":635,"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/pages\/220\/revisions\/635"}],"wp:attachment":[{"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/media?parent=220"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}