{"id":91,"date":"2024-01-20T17:54:42","date_gmt":"2024-01-20T17:54:42","guid":{"rendered":"https:\/\/gildedgreen.com\/indigital\/?p=91"},"modified":"2024-02-18T17:02:19","modified_gmt":"2024-02-18T17:02:19","slug":"will-r-wilson","status":"publish","type":"post","link":"https:\/\/gildedgreen.com\/indigital\/2024\/01\/20\/will-r-wilson\/","title":{"rendered":"Will R. Wilson"},"content":{"rendered":"\n<p><strong>Community\/Nation\/Tribe:<\/strong> Citizen of the Navajo Nation<\/p>\n\n\n\n<p><strong>Materials\/Processes:<\/strong> Multimedia; Photo; Video<\/p>\n\n\n\n<p><strong>Themes:<\/strong> Archive; Re-historying<\/p>\n\n\n\n<p><strong>Online Resources:<\/strong> <a href=\"https:\/\/journal.voca.network\/preserving-a-trans-customary-portal\/\">https:\/\/journal.voca.network\/preserving-a-trans-customary-portal\/<\/a><\/p>\n\n\n\n<p><strong>Statement\/Bio in Artist&#8217;s Words:<\/strong> <\/p>\n\n\n\n<p>\u201cAs an indigenous artist working in the 21<sup>st<\/sup>&nbsp;century, I am impatient with the way that American culture remains enamored by one particular moment in a photographic exchange between Euro-American and Aboriginal American societies: the decades from 1907 to 1930, when photographer Edward S. Curtis produced&nbsp;<em>The North American Indian<\/em>.<\/p>\n\n\n\n<p>With&nbsp;<em>Critical Indigenous Photographic Exchange<\/em>, I resume the documentary mission of Curtis from the standpoint of a 21<sup>st<\/sup>&nbsp;century indigenous, trans-customary, cultural practitioner. &nbsp;I want to supplant Curtis\u2019s Settler gaze with a contemporary vision of Native North America.<\/p>\n\n\n\n<p>This body of photographic inquiry stimulates a critical dialogue and reflection around the historical and contemporary \u201cphotographic exchange\u201d as it pertains to Native Americans. &nbsp;By convening with indigenous artists, arts professionals, and tribal governance to engage in the performative ritual that is the studio portrait, the experience is intensified and refined by the use of large format wet plate collodion studio photography. This beautifully alchemic photographic process dramatically contributed to our collective understanding of Native American people and, in so doing, our American identity. In a gesture of reciprocity, the sitter receives the tintype photograph produced during our meeting, in exchange for a high-resolution scan of their portrait and a non-exclusive right to use it.<\/p>\n\n\n\n<p>Ultimately, I want to ensure that the subjects of my photographs are participating in the re-inscription of their customs and values in a way that will lead to a more equal distribution of power and influence in the cultural conversation. &nbsp;It is my hope that these Native American photographs will represent an intervention within the contentious and competing visual languages that form today\u2019s photographic canon.\u201d<\/p>\n\n\n\n<p>(<a href=\"https:\/\/shivagallery.org\/william-r-wilson\/\">Source<\/a>)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Community\/Nation\/Tribe: Citizen of the Navajo Nation Materials\/Processes: Multimedia; Photo; Video Themes: Archive; Re-historying Online Resources: https:\/\/journal.voca.network\/preserving-a-trans-customary-portal\/ Statement\/Bio in Artist&#8217;s Words: \u201cAs an indigenous artist working in the 21st&nbsp;century, I am impatient with the way that American culture remains enamored by one particular moment in a photographic exchange between Euro-American and Aboriginal American societies: the decades&#8230;<\/p>\n","protected":false},"author":1,"featured_media":92,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[55,22,35,26,25,5],"tags":[],"class_list":["post-91","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-contemporary-life","category-digital-photography","category-history","category-mixed-media","category-navajo-nation","category-video"],"_links":{"self":[{"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/posts\/91","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/comments?post=91"}],"version-history":[{"count":3,"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/posts\/91\/revisions"}],"predecessor-version":[{"id":259,"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/posts\/91\/revisions\/259"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/media\/92"}],"wp:attachment":[{"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/media?parent=91"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/categories?post=91"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/gildedgreen.com\/indigital\/wp-json\/wp\/v2\/tags?post=91"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}